P A R T E C I P A N T I 09
+++++++++++++++++++++++++++++++++++++++++
BROTHERS BROCHE
Order in
By: Family Broche
Order in that: when everything becomes conceptual time to return to the rules of narrative, but for us Broche children of the 80s where everything was a symbol, having aattraversato the 90s where everything was a concept is not so immediate return to order. Then choose the mix: narrative and concept, to speak out in an perfom. The style is oxymoron and miscellaneous set of aesthetic and decadent POP, objects and spaces disturbing because upset about their daily lives. The characteristics of the fairy tale introduced as sublimation psychological abyss. The familiar icons lose the boundaries of familiarity and ambiguity is introduced as a method of expression catalyst.
The irony leads to the transfiguration of symbols will familiarize you if so disturbing and so harmless to lose weight gained from their history. The conventions of society are worn and interpreted to be destroyed and eaten from the inside. Call to Order
Broche in the family ... this show will open the doors of the chapel of the family for a Sunday meditation and relaxing exercises in preparation for the summer.
16 and 17 June 2009, at 21
Oratory Baraccano
way Baraccano 2
BOLOGNA
++++++++++++++++ ++++++++
The irony leads to the transfiguration of symbols will familiarize you if so disturbing and so harmless to lose weight gained from their history. The conventions of society are worn and interpreted to be destroyed and eaten from the inside. Call to Order
Broche in the family ... this show will open the doors of the chapel of the family for a Sunday meditation and relaxing exercises in preparation for the summer.
16 and 17 June 2009, at 21
Oratory Baraccano
way Baraccano 2
BOLOGNA
++++++++++++++++ ++++++++
LEMEH42
Collected Video
12Night
Music: Lemeh42
Technique: photomotion
Duration: 2 '
The silence of love
Music: Marco Scattolini
Technique: photomotion
Duration: 6'
Search de mi
Music: Jesus Hernandez Hernandez
Technique: photomotion
Duration: 4 '
Heart Wood
Music: Marco Scattolini
Length: 15 '
Technique: digital video, digital animation, stop motion, digital recorded performance
Wasteland
Music: Marco Scattolini
Technique: photomotion
Length: 30''
Alice in Wonderland
Music: Marco Scattolini
Technique: digital video and photomotion
Duration: 3'45''
dukkehjem Et (A Doll's House)
Music: John Cage
Duration: 2 ' 17''
Technique: digital video
animations
Miscellaneous Music: Various Authors
Duration: 4 '
Technique: digital animation
Study on human form and Humanity # 01
Music: Marco Scattolini
Length: 01' 54''
Technique: digital video
Image de la plaine
Music: Swod
Duration: 2 '
Technique: digital animation
ABCD
Music: Arvo Part
Duration: 4' 45''
Technique: digital animation
June 16, 2009, at 21
Oratory Baraccano
Baraccano Street 2, BOLOGNA
++++++++++++++++++++++++
Collected Video
12Night
Music: Lemeh42
Technique: photomotion
Duration: 2 '
The silence of love
Music: Marco Scattolini
Technique: photomotion
Duration: 6'
Search de mi
Music: Jesus Hernandez Hernandez
Technique: photomotion
Duration: 4 '
Heart Wood
Music: Marco Scattolini
Length: 15 '
Technique: digital video, digital animation, stop motion, digital recorded performance
Wasteland
Music: Marco Scattolini
Technique: photomotion
Length: 30''
Alice in Wonderland
Music: Marco Scattolini
Technique: digital video and photomotion
Duration: 3'45''
dukkehjem Et (A Doll's House)
Music: John Cage
Duration: 2 ' 17''
Technique: digital video
animations
Miscellaneous Music: Various Authors
Duration: 4 '
Technique: digital animation
Study on human form and Humanity # 01
Music: Marco Scattolini
Length: 01' 54''
Technique: digital video
Image de la plaine
Music: Swod
Duration: 2 '
Technique: digital animation
ABCD
Music: Arvo Part
Duration: 4' 45''
Technique: digital animation
June 16, 2009, at 21
Oratory Baraccano
Baraccano Street 2, BOLOGNA
++++++++++++++++++++++++
Dry_Art / MATARO by Verga
Orpheus and the poet
Orpheus and the poet
with:
Maxine Martinez
Mataro from Vergato
E 'a recital focusing on the figure of the poet's poet. Here, however, the two figures side splits and Orpheus mythological compendium of poetry, music and rhetoric, is part of the modern poet to his voice that combines the use of the body, different languages \u200b\u200bin the field but identical in substance. Orpheus is from Mataro Vergato accompanying their singing to lyre (instrument designed and made by him realize, so unique in the world), then the modern ways intertwined Massimiliano Martines, actor and poet, following the tradition handed down by the Hellenic . The play of contrasts and cross-references creates a score of great intensity and emotional sound. Next to the recovery made by Vergato from Mataro, over years of study of ancient hymns and epitaphs, and arranger of modern songs (to be a tribute to Jacques Prévert "Les Feuilles Mortes"), you enter the caustic texts, for the most part unpublished, by Martines, sometimes real theatrical monologues.
June 16, 2009, at 21
Oratory Baraccano
way Baraccano 2
BOLOGNA
23:25 June 2009, at 21
Mazzacorati Villa Theatre, Via Toscana
17-19,
BOLOGNA
++++++++++++++++++++++++
CITY 'Ebla
Pharmakos
foundational core
with
Patents Valentina, Elisa Gandini, Mark Mannucci, Melanie Marcatelli, Claudio Tozzoli
and with the participation diThomas Lombardi, Alessandro Massa
Pharmakos
foundational core
with
Patents Valentina, Elisa Gandini, Mark Mannucci, Melanie Marcatelli, Claudio Tozzoli
and with the participation diThomas Lombardi, Alessandro Massa
Makeup scene
Elisa Gandini
Technical Direction
Thomas Lombardi
Body Sound
Elicheinfunzione
Elicheinfunzione
Directed by Claudio Angelini
Photography
Gianluca "Naphtalina" Camporesi
Video footage
Achilles Matassoni
video editing and direction
Gianluca "Naphtalina" Camporesi
A production
City of Ebla, nutrition, 2007, MGM Mondo del Vino
The core of the concept of Pharmakos concerns the desire to create a short circuit between the sacrificial body and the medical profession as a parable about the extremes of nature and evolution of the meaning of the body.
We are witnessing an era that has erased the deep meaning of the ancient rites, scattering them in existence, mystified, eliminating the concept of pharmakos dual role as a signifier, "evil" and "remedy" at the same time, and generally removing the sense of things "sacred", pure and impure varieties of the same genus.
The research that we face is to restore this sense of constant oscillation of the signs, aims to double the face of a 'single medal, aims for a fluctuation. The movements are carried out development of the first one called "embryo" in the form that contains microscopic, barely visible, all the elements of successive movements.
June 17, 2009, at 21
Oratory Baraccano
way Baraccano 2
BOLOGNA
++++++++++++++++++++++++
ANNA AMADORI
Fourteen
Internal Poetic
texts by Allen Ginsberg, Aldo Gargani
maintain the
Anna Amador
Fourteen
Internal Poetic
texts by Allen Ginsberg, Aldo Gargani
maintain the
Anna Amador
in collaboration with Fulvio
Ianneo
The woman with the robe
Anna Amador
Thanks
Raffaella Grimaudo
Alessandra Pace
Piero Serra
Carolina Talon Sampieri
Fourteen is a woman in a room with a glass of water, a window, an aquarium. Fourteen
is his attempt at healing, harmony and balance. Fourteen
is a gratuitous act on the holiness and goodness of the world,
on the power of listening and solitude where you can talk to other
. Fourteen
is a prayer for the poetry and beauty. Fourteen is a
request for help with the words of Allen Ginsberg and Aldo Gargani.
Fourteen is an invitation to sit in the intimate space and get hold water.
Fourteen is a short-acting in a play by Anna Amador internal
inhabited by a woman in dressing gown
talking to itself as were all others who remain
out and leave us alone.
Fourteen is the tale of the fourteenth of thirteen brothers who saves all
thanks to its extraordinary strength and the whole earth,
the full acceptance of self and its vicissitudes.
Fourteen is my father when he was alive. Fourteen
I am when I get Mario.
June 17, 2009, at 21
Oratory Baraccano
way Baraccano 2
BOLOGNA
00:26 June 2009, at 21
Mazzacorati Villa Theatre, Via Toscana
17-19,
BOLOGNA
++++++++++++++++++++++++
K OMAKINO
LONG PLAYING
first study
idea of:
Andrea Alessandro La Bozzetta
Scripture scenic Komakino
By:
Andrea Alessandro La Bozzetta
Mauro Milone
Laura Pizzirani
Original Music and Sound: Dram
Myanmar, Fridge
Lights: Erika Murrell
A production Komakino
Co-produced by: Angelo Mai
Busy - Rome Festival
Per Aspera - Bologna
With the support of:
Yes - Teatrino Clandestino with the City of Bologna
OQ # OpenQuadra - Bologna Bo
Delta-Project - Bologna
Ass Ibis Cultural Fund - Neptune
Refractions Festival - Neptune
Busy Esc Atelier - Rome
Company Theatre of the Seraglio
Malatesta - Montefiore Conca
everything you could expect from him, except
put an end to his life.
anyone, it seemed, but he
is something that does not suit him. do not know it all?
his death is so at odds with his whole life, and so lacking of motivation in all his work
"is incomprehensible. What's missing? "
" to a dog, a dead dog "
17 and 18 June 2009, at 22.30
Area Yes, via San
Vitale 67, Bologna
LONG PLAYING
first study
idea of:
Andrea Alessandro La Bozzetta
Scripture scenic Komakino
By:
Andrea Alessandro La Bozzetta
Mauro Milone
Laura Pizzirani
Original Music and Sound: Dram
Myanmar, Fridge
Lights: Erika Murrell
A production Komakino
Co-produced by: Angelo Mai
Busy - Rome Festival
Per Aspera - Bologna
With the support of:
Yes - Teatrino Clandestino with the City of Bologna
OQ # OpenQuadra - Bologna Bo
Delta-Project - Bologna
Ass Ibis Cultural Fund - Neptune
Refractions Festival - Neptune
Busy Esc Atelier - Rome
Company Theatre of the Seraglio
Malatesta - Montefiore Conca
everything you could expect from him, except
put an end to his life.
anyone, it seemed, but he
is something that does not suit him. do not know it all?
his death is so at odds with his whole life, and so lacking of motivation in all his work
"is incomprehensible. What's missing? "
" to a dog, a dead dog "
17 and 18 June 2009, at 22.30
Area Yes, via San
Vitale 67, Bologna
++++++++++++++++++++++++
DASTRAMONIO
KID
Rita Deiola
Federica Falanca Alessandro Gulino
KID
Rita Deiola
Federica Falanca Alessandro Gulino
We started with a child in the video is the most intimate and fragile ego. Sinks in the experience of "dark" existential allowing the whole man to observe himself. The
child up from the bottom of this black as he makes his transformation into a woman. The woman, black squarcerà of what is unconscious, what does not understand. The hole is a crack through which she sees herself and dominated by a sense of guilt, comfort, understanding, advice from those who, institutionally represents the divine in the palaces of power and the established order. Confessions by the simple story of an episode, that he became aware of his unhappiness, his mediocrity. She tells how she saw in him the "banality of evil" that mostrifica the human essence. He confesses that his conscience and his heart is withered and impermeable to the profound suffering the soul's self and others, both small "like a body without skin," as an empty body of vital organs, including heart.
The confession is a call for help in a time of contemporary civil indifference and ignorance. In which the brutality, but politics is now a normal thing, and that - given the habit - he lost consciousness. The woman, after showing us the pain that deconstructs, comes to us "martyred" in contemporary terms.
June 18, 2009, at 21
Oratory Baraccano
way Baraccano 2
BOLOGNA
June 26, 2009, at 21
Mazzacorati Villa Theatre, Via Toscana
17-19,
BOLOGNA
++++++++++++++++++++++++
child up from the bottom of this black as he makes his transformation into a woman. The woman, black squarcerà of what is unconscious, what does not understand. The hole is a crack through which she sees herself and dominated by a sense of guilt, comfort, understanding, advice from those who, institutionally represents the divine in the palaces of power and the established order. Confessions by the simple story of an episode, that he became aware of his unhappiness, his mediocrity. She tells how she saw in him the "banality of evil" that mostrifica the human essence. He confesses that his conscience and his heart is withered and impermeable to the profound suffering the soul's self and others, both small "like a body without skin," as an empty body of vital organs, including heart.
The confession is a call for help in a time of contemporary civil indifference and ignorance. In which the brutality, but politics is now a normal thing, and that - given the habit - he lost consciousness. The woman, after showing us the pain that deconstructs, comes to us "martyred" in contemporary terms.
June 18, 2009, at 21
Oratory Baraccano
way Baraccano 2
BOLOGNA
June 26, 2009, at 21
Mazzacorati Villa Theatre, Via Toscana
17-19,
BOLOGNA
++++++++++++++++++++++++
Fulvio Ianneo
Muñeca de la calle
Fulvio Ianneo under a crucifix
trying to make visual poetry
like a long journey
Installing video poetry
The rest I'm looking, the invisible
vanished before his arrival in the light
water from a sea of \u200b\u200bsoft eddies
dispenses infinite reflections of light on
underwater beds of sand dust clouds
the rest, loosely
intuition as a Santa Claus
escaped to visit a child at night, entered the ocean
restless hearts with his rhetoric of debris caked moldy
of mysteries,
The rest will not appear even if I
not appear if it is not in small fragments of poetry
18 to 19 June 2009, at 21
Oratory Baraccano
way Baraccano 2
BOLOGNA
++++++++++++++ ++++++++++
Muñeca de la calle
Fulvio Ianneo under a crucifix
trying to make visual poetry
like a long journey
Installing video poetry
The rest I'm looking, the invisible
vanished before his arrival in the light
water from a sea of \u200b\u200bsoft eddies
dispenses infinite reflections of light on
underwater beds of sand dust clouds
the rest, loosely
intuition as a Santa Claus
escaped to visit a child at night, entered the ocean
restless hearts with his rhetoric of debris caked moldy
of mysteries,
The rest will not appear even if I
not appear if it is not in small fragments of poetry
18 to 19 June 2009, at 21
Oratory Baraccano
way Baraccano 2
BOLOGNA
++++++++++++++ ++++++++++
Angelo Bello
Μνημοσύνη
archive ...
to remember ... (history of a patient's view)
video: Angelo Bello
Myopic. Very short sighted.
To see, be able to see, I need glasses.
I need to see a foreign body.
Illness: place between the world and my eyes
something that improves the eyesight. Before
glasses, then a camera, a camera.
NOW I SEE!
store images that create my memory. Thanks
camera, take it and cherish. Then ...
memory.
Memory in images of a (nearly) blind.
No way! Now I see there in the archive I see.
No way! Only then will recognize what I saw.
No way! The pictures are now out
by time and place and space:
UNIVERSAL.
intersects the memory at your own convenience.
What they say these pictures? Nothing new for those who has never seen.
are generated from memory
... "[...] the generations in Pieria, united with his father Cronide,
Mnemosyne, lady of the hills of Eleutere,
because they were forgotten by the rest of the ills and troubles."
[Hesiod, "Theogony" 50]
June 18, 2009, at 21
Oratory Baraccano
Baraccano Street 2, BOLOGNA
Μνημοσύνη
archive ...
to remember ... (history of a patient's view)
video: Angelo Bello
Myopic. Very short sighted.
To see, be able to see, I need glasses.
I need to see a foreign body.
Illness: place between the world and my eyes
something that improves the eyesight. Before
glasses, then a camera, a camera.
NOW I SEE!
store images that create my memory. Thanks
camera, take it and cherish. Then ...
memory.
Memory in images of a (nearly) blind.
No way! Now I see there in the archive I see.
No way! Only then will recognize what I saw.
No way! The pictures are now out
by time and place and space:
UNIVERSAL.
intersects the memory at your own convenience.
What they say these pictures? Nothing new for those who has never seen.
are generated from memory
... "[...] the generations in Pieria, united with his father Cronide,
Mnemosyne, lady of the hills of Eleutere,
because they were forgotten by the rest of the ills and troubles."
[Hesiod, "Theogony" 50]
June 18, 2009, at 21
Oratory Baraccano
Baraccano Street 2, BOLOGNA
++++++++++++++++++++++++
Cosmetics The
primadonna_chi sows the wind picks up storm
A production of cosmetics
Geatti Eva and Nicola Toffolini
In collaboration with Michele Bazzana
sound Stefano Pilia
created in collaboration with David Macor
Electronics in collaboration with Thomas Pecile
With consulennza technique:
Allestimenti_ Henry Lain
Illuminotecnica_ Cristian Zanor
Processing file taglio_ Stefano Paron
the primadonna_ Principle: The first lady
eye of the storm. Major disasters
female - female Great disasters
"I made you and I destroy you," he always said "Donna Giulia."
... How slowly grows a building.
... How fast is the disaster.
... What is the perception destruction as it happens.
I talk about power.
Remain stationary, static in the center of the storm ... ... suspended in the quiet to avoid being kidnapped, carried away, overwhelmed involved.
... And if the first lady was the focus?
building grows between the approval of the other a figure that puts the spotlight on the value of his body, of his image.
It expresses a continuing effort to remain faithful to his being visible.
A voltage in the affirmative.
In the stillness, in the power, you are! She
the core. Before
positive ... Then
in negative ...
expresses ambivalence continues.
Before growth, then destruction.
And always she is!
... Like a blast of air ... A ... A strong wind storm "bad" ... A whirlwind of sudden events that radically change ... the landscape and human behavior.
change change-destroy-destroy-destroy amendment amendment amendment-destroy-destroy-destroy modificadistruggi change change change-destroy-destroy-change change-destroy destroy ...
June 19, 2009, at 21
Oratory Baraccano
Baraccano Street 2, BOLOGNA
primadonna_chi sows the wind picks up storm
A production of cosmetics
Geatti Eva and Nicola Toffolini
In collaboration with Michele Bazzana
sound Stefano Pilia
created in collaboration with David Macor
Electronics in collaboration with Thomas Pecile
With consulennza technique:
Allestimenti_ Henry Lain
Illuminotecnica_ Cristian Zanor
Processing file taglio_ Stefano Paron
the primadonna_ Principle: The first lady
eye of the storm. Major disasters
female - female Great disasters
"I made you and I destroy you," he always said "Donna Giulia."
... How slowly grows a building.
... How fast is the disaster.
... What is the perception destruction as it happens.
I talk about power.
Remain stationary, static in the center of the storm ... ... suspended in the quiet to avoid being kidnapped, carried away, overwhelmed involved.
... And if the first lady was the focus?
building grows between the approval of the other a figure that puts the spotlight on the value of his body, of his image.
It expresses a continuing effort to remain faithful to his being visible.
A voltage in the affirmative.
In the stillness, in the power, you are! She
the core. Before
positive ... Then
in negative ...
expresses ambivalence continues.
Before growth, then destruction.
And always she is!
... Like a blast of air ... A ... A strong wind storm "bad" ... A whirlwind of sudden events that radically change ... the landscape and human behavior.
change change-destroy-destroy-destroy amendment amendment amendment-destroy-destroy-destroy modificadistruggi change change change-destroy-destroy-change change-destroy destroy ...
June 19, 2009, at 21
Oratory Baraccano
Baraccano Street 2, BOLOGNA
++++++++++++++++++++++++
Fabio Fiandrini
per Aspera ad Astra (kan)
videoillusioni themselves
video: Fabio Fiandrini
per Aspera ad Astra (kan)
videoillusioni themselves
video: Fabio Fiandrini
N. Tommaseo, B. Bellini, Italian Language Dictionary, Volume One, Typographical Union Editrice, Torino 1865, under "Art".
June 19, 2009, at 21
Oratory Baraccano
way Baraccano 2
BOLOGNA
June 19, 2009, at 21
Oratory Baraccano
way Baraccano 2
BOLOGNA
++++++++++++++++++ ++++++
Gulino/Rico/Scorza
Alba
Voce : Rocío Rico Romero
Sound designer: Alessandro Gulino and Vincenzo Scorza
Alba
Voce : Rocío Rico Romero
Sound designer: Alessandro Gulino and Vincenzo Scorza
ALBA is a continuous and relentless emergence of vortex sound. From the first note and the first vibration takes a seductive voice sound continuous feedback. It is a work to be done in complete improvisation, live.
The vocal aspect highlighting the passion of flamenco compositions, sketches out the vocal textures and sound design with the various emotional states (sadness, passion, frenzy ...) and set to electronic music, strangely hot and malleable, they create ALBA .
June 19, 2009, at 21
Oratorio Baraccano,
way Baraccano 2
BOLOGNA
June 23, 2009, at 21
Mazzacorati Villa Theatre, Via Toscana
17-19,
BOLOGNA
++++++++++ ++++++++++++++
The vocal aspect highlighting the passion of flamenco compositions, sketches out the vocal textures and sound design with the various emotional states (sadness, passion, frenzy ...) and set to electronic music, strangely hot and malleable, they create ALBA .
June 19, 2009, at 21
Oratorio Baraccano,
way Baraccano 2
BOLOGNA
June 23, 2009, at 21
Mazzacorati Villa Theatre, Via Toscana
17-19,
BOLOGNA
++++++++++ ++++++++++++++
Butcher Pasolini
Love Car
Love Car
By: Cristina Matta
Romano Tre Re
tremble ... And it should be, not until
it fails to heal, this left
capacity of [not] die ...
Victor Hugo, L'Année terrible
23-24-25-26 June 2009, at 21
Teatro di Villa Mazzacorati, Via Toscana
17-19,
BOLOGNA
++++++++++++++++++++++++
Cilema Reisen
8%
8%
to: Cabiria Nicosia and Mauro Milone
concept: Cabiria Nicosia
on stage: Mauro Milone
music: Ffragraff, Antonio Vivaldi, Reisen Cilema
According to research conducted by the University of Groningen, the Netherlands, the presence of a woman, regardless of his physical appearance, does raise the level of testosterone man 8%, increasing to Consequently, his libido, automatic and unconscious reaction that develops to prepare men appropriateness of a possible pairing.
of this experiment is a dark and bare, elected to place the container in which the performer can be found to deal with the stagnation of his desire, trying to adapt to a reality that has lost its meaning and depth.
The dis / adapter is split between stasis and ecstasy, instinctual and goes unconsciously into a regressive direction, vainly seeking his wife from newspaper ads, television commercials, only to discover that it was still nothing but a form, one of many visible. The man becomes a dam that stores potential (erotic) without the real possibility of an outlet, and turn his instinct vigorous destructive force.
June 23, 2009, at 21
Mazzacorati Villa Theatre, Via Toscana
17-19,
BOLOGNA
+++++++++++++++++++ +++++
Andrea Pagnes / Verena Stenke
Lucid Dreams
By: Andrea Pagnes and Verena Stenke
Texts scene: Pagnes Andrea, Laura Bucciarelli
records: by Lucid Dreams narrated by Celia Green (Reserach Institute of Psychophysical Oxford).
Music: Verena Stenke
Video Materials: Verena Stenke, Alessandro Fantechi
Lucid Dreams is performing work on the concept of "dreaming and awakening" mind and body, where the process of acquiring consciousness leads to a partial transformation of being. Opposites attract
time to progression: mingle, become more, become a witness and experience.
June 24, 2009, at 21
Mazzacorati Villa Theatre, Via Toscana
17-19,
BOLOGNA
+++++++++++++++++++ +++++
Lucid Dreams
By: Andrea Pagnes and Verena Stenke
Texts scene: Pagnes Andrea, Laura Bucciarelli
records: by Lucid Dreams narrated by Celia Green (Reserach Institute of Psychophysical Oxford).
Music: Verena Stenke
Video Materials: Verena Stenke, Alessandro Fantechi
Lucid Dreams is performing work on the concept of "dreaming and awakening" mind and body, where the process of acquiring consciousness leads to a partial transformation of being. Opposites attract
time to progression: mingle, become more, become a witness and experience.
June 24, 2009, at 21
Mazzacorati Villa Theatre, Via Toscana
17-19,
BOLOGNA
+++++++++++++++++++ +++++
Theatre lost
Rats!
Rats!
"harbingers of a collection of separate
theater
Text and direction
Agatino Di Martino
theater
Text and direction
Agatino Di Martino
Interpreters
Alassandro Franceshini
Albano Innocenti Andrea
Petritoli
Anna Felicori
Carmine Buonocore
Trerè Cristina Daniela Matta
Pomponi
Eugenio Militia
Federica Trerè
Luciana Patrizia Amati
Leonelli
Romano Trerè
Sica Lamas Berenice
Silvana Sabattini
Tania Michilli
The Topus Teatralis, especially now extinct, it prefers a cultural background with a strong propensity for the beauty, drama and performing arts.
now, in the last two decades, with new discoveries in the field of rodent control, are forced to live trying to get by ... But how can you almost always flush.
E 'extremely emotional, constantly looking for theater spaces in order to reproduce in peace .... A creature full of breath and heavy equipment that he uses often poor with an unexpected skill.
institutions responsible for supervision are familiar with their habits and prevent him from stopping in places for economic gap by eliminating any need for small and making the legal rules in fact play such a specious economic and anti exhausted from long before.
Sometimes in the heat of breathlessness, with a flash of genius, manages to reproduce and then shows off all her beauty, elegance, grandeur, effectiveness, and a beautiful voluptuous fur and a tail with its snow-white teeth; moves performing on stage his act is more complete.
Many have wondered why so much fury, conferences and scholars have addressed the issue. There were even expressions of solidarity and perhaps some parliamentary interpellation, but nothing to do: The Topus Teatralis is too independent in its activities, out of control, always in need of expression. Consume!
Above all, let loose, you play too fast and too effective. The
Topus Teatralis stands by his cousin, with whom he is often confused, or Topus Istituzionalis, extremely refined, shiny coat and significantly larger.
June 25, 2009, at 21
Mazzacorati Villa Theatre, Via Toscana
17-19,
BOLOGNA
Alassandro Franceshini
Albano Innocenti Andrea
Petritoli
Anna Felicori
Carmine Buonocore
Trerè Cristina Daniela Matta
Pomponi
Eugenio Militia
Federica Trerè
Luciana Patrizia Amati
Leonelli
Romano Trerè
Sica Lamas Berenice
Silvana Sabattini
Tania Michilli
The Topus Teatralis, especially now extinct, it prefers a cultural background with a strong propensity for the beauty, drama and performing arts.
now, in the last two decades, with new discoveries in the field of rodent control, are forced to live trying to get by ... But how can you almost always flush.
E 'extremely emotional, constantly looking for theater spaces in order to reproduce in peace .... A creature full of breath and heavy equipment that he uses often poor with an unexpected skill.
institutions responsible for supervision are familiar with their habits and prevent him from stopping in places for economic gap by eliminating any need for small and making the legal rules in fact play such a specious economic and anti exhausted from long before.
Sometimes in the heat of breathlessness, with a flash of genius, manages to reproduce and then shows off all her beauty, elegance, grandeur, effectiveness, and a beautiful voluptuous fur and a tail with its snow-white teeth; moves performing on stage his act is more complete.
Many have wondered why so much fury, conferences and scholars have addressed the issue. There were even expressions of solidarity and perhaps some parliamentary interpellation, but nothing to do: The Topus Teatralis is too independent in its activities, out of control, always in need of expression. Consume!
Above all, let loose, you play too fast and too effective. The
Topus Teatralis stands by his cousin, with whom he is often confused, or Topus Istituzionalis, extremely refined, shiny coat and significantly larger.
June 25, 2009, at 21
Mazzacorati Villa Theatre, Via Toscana
17-19,
BOLOGNA
++++++++++++++++++++++++
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