Fainting More Condition_symptoms

intro to Flash Tutorial



little appetizer on my next post, since I frequently use
2 software, Photoshop and Flash, I decided to write some article / tutorial Flash in the future that may be useful to those who are using this little gem of a program.
usually are online tutorials or articles about how to create objects or anything else with flash. My aim instead is to share my experience with Flash tools or facilities that usually either taken for granted or just not mentioned.
Stay tuned ...
greet citing a note Queeen song:
"Flashhhhh ah ahhhhh ....!"

Cancer Signs More Condition_symptoms

USA 2009


6.00 pm. Start a new adventure to the USA, New York first, then Boston and then Philadelphia. Let's hope so, especially for flights, given the inconvenience of a year ago. Salutissimi everyone!


6 o'clock am. A new adventure is ready to begin, destination USA, starting with New York, then Boston and then Philadelphia. Hope everything will be fine, Especially Considering all the problems with flights Happened One year in August Bye bye to all!

Aluminum Boat Corners

TRANQUILLITY BASE

40 years ago when the dream is not a single person, but by all mankind, not for a moment, but expected in all of human history.

Tribute to Neil Armstrong, Mike Collins and Buzz Aldrin.

Mai night was so long (at least in Europe, because in the States was about 3 pm), night was perhaps never more beautiful: the world united in peace to follow an epic event.

My regret is not having been there. It would be nice to share it with my father, Franco, Renato uncle, grandfather and uncle James Iginio, with Frank and my brother, aunt, and certainly in the other room ziAnna Felinda work to prepare for something good to eat.

The only thing that remains is probably the memory, perhaps more than a collection of people together in a moment, that the astronauts and rockets.

But one day the memories will fade, and then maybe just the footprint on the moon will last forever.

40 years ago the moment dreamed not by a single person, but by the entire Humanity, not for a short while, but waited in the entire history of Man.

Tribute to Neil Armstrong, Mike Collins and Buzz Aldrin (in this case not the original ones...)

A single night was never so long (at least in Europe, because in the States it was about 3 pm), perhaps a night was never more beautiful than this, the whole world united in peace to follow an epic event.

My regret is not to have been born yet. It would have been nice to share that day with my father, with Franco, zio Renato, nonno Iginio and zio Giacomo, with Frankie and my brother, certainly in the other room ziAnna and aunt Felinda busy to prepare for something good to eat.

The only thing that remains is perhaps the memory of a set of people together, more than the astronauts and the rockets.

But one day the memories will fade, and then maybe only the footprint on the Moon Will Remain forever.

The only time I will miss him forever in the life

The only moment I will miss for rest of My Life

Where Does Myamee Get Her Hair From

istock photo


Uellà!
here ... I'm back with something new!
I have accepted as a supplier of animation on iStockphoto, a site
imageche bank is also flash files.
the image up there is a mix of animation
I quote, if you want you can have a look at my animations
at these locations:
Running dog
Worker
Easter Egg
enjoy it

Adult Film Star Named Pinky

P A R T E C I P A N T I 09

+++++++++++++++++++++++++++++++++++++++++

BROTHERS BROCHE

Order in

By: Family Broche

Order in that: when everything becomes conceptual time to return to the rules of narrative, but for us Broche children of the 80s where everything was a symbol, having aattraversato the 90s where everything was a concept is not so immediate return to order. Then choose the mix: narrative and concept, to speak out in an perfom. The style is oxymoron and miscellaneous set of aesthetic and decadent POP, objects and spaces disturbing because upset about their daily lives. The characteristics of the fairy tale introduced as sublimation psychological abyss. The familiar icons lose the boundaries of familiarity and ambiguity is introduced as a method of expression catalyst.
The irony leads to the transfiguration of symbols will familiarize you if so disturbing and so harmless to lose weight gained from their history. The conventions of society are worn and interpreted to be destroyed and eaten from the inside. Call to Order


Broche in the family ... this show will open the doors of the chapel of the family for a Sunday meditation and relaxing exercises in preparation for the summer.


16 and 17 June 2009, at 21
Oratory Baraccano
way Baraccano 2
BOLOGNA



++++++++++++++++ ++++++++

LEMEH42
Collected Video

12Night
Music: Lemeh42
Technique: photomotion
Duration: 2 '

The silence of love
Music: Marco Scattolini
Technique: photomotion
Duration: 6'

Search de mi
Music: Jesus Hernandez Hernandez
Technique: photomotion
Duration: 4 '

Heart Wood
Music: Marco Scattolini
Length: 15 '
Technique: digital video, digital animation, stop motion, digital recorded performance

Wasteland
Music: Marco Scattolini
Technique: photomotion
Length: 30''

Alice in Wonderland
Music: Marco Scattolini
Technique: digital video and photomotion
Duration: 3'45''

dukkehjem Et (A Doll's House)
Music: John Cage
Duration: 2 ' 17''
Technique: digital video

animations
Miscellaneous Music: Various Authors
Duration: 4 '
Technique: digital animation

Study on human form and Humanity # 01
Music: Marco Scattolini
Length: 01' 54''
Technique: digital video

Image de la plaine
Music: Swod
Duration: 2 '
Technique: digital animation

ABCD
Music: Arvo Part
Duration: 4' 45''
Technique: digital animation


June 16, 2009, at 21
Oratory Baraccano
Baraccano Street 2, BOLOGNA



++++++++++++++++++++++++

Dry_Art / MATARO by Verga
Orpheus and the poet

with:
Maxine Martinez
Mataro from Vergato

E 'a recital focusing on the figure of the poet's poet. Here, however, the two figures side splits and Orpheus mythological compendium of poetry, music and rhetoric, is part of the modern poet to his voice that combines the use of the body, different languages \u200b\u200bin the field but identical in substance. Orpheus is from Mataro Vergato accompanying their singing to lyre (instrument designed and made by him realize, so unique in the world), then the modern ways intertwined Massimiliano Martines, actor and poet, following the tradition handed down by the Hellenic . The play of contrasts and cross-references creates a score of great intensity and emotional sound. Next to the recovery made by Vergato from Mataro, over years of study of ancient hymns and epitaphs, and arranger of modern songs (to be a tribute to Jacques Prévert "Les Feuilles Mortes"), you enter the caustic texts, for the most part unpublished, by Martines, sometimes real theatrical monologues.


June 16, 2009, at 21
Oratory Baraccano
way Baraccano 2
BOLOGNA

23:25 June 2009, at 21
Mazzacorati Villa Theatre, Via Toscana
17-19,
BOLOGNA

++++++++++++++++++++++++

CITY 'Ebla

Pharmakos
foundational core

with
Patents Valentina, Elisa Gandini, Mark Mannucci, Melanie Marcatelli, Claudio Tozzoli
and with the participation diThomas Lombardi, Alessandro Massa

Makeup scene
Elisa Gandini

Technical Direction
Thomas Lombardi

Body Sound
Elicheinfunzione

Directed by Claudio Angelini

Photography
Gianluca "Naphtalina" Camporesi
Video footage
Achilles Matassoni
video editing and direction
Gianluca "Naphtalina" Camporesi
A production
City of Ebla, nutrition, 2007, MGM Mondo del Vino


The core of the concept of Pharmakos concerns the desire to create a short circuit between the sacrificial body and the medical profession as a parable about the extremes of nature and evolution of the meaning of the body.
We are witnessing an era that has erased the deep meaning of the ancient rites, scattering them in existence, mystified, eliminating the concept of pharmakos dual role as a signifier, "evil" and "remedy" at the same time, and generally removing the sense of things "sacred", pure and impure varieties of the same genus.
The research that we face is to restore this sense of constant oscillation of the signs, aims to double the face of a 'single medal, aims for a fluctuation. The movements are carried out development of the first one called "embryo" in the form that contains microscopic, barely visible, all the elements of successive movements.


June 17, 2009, at 21
Oratory Baraccano
way Baraccano 2
BOLOGNA

++++++++++++++++++++++++

ANNA AMADORI

Fourteen
Internal Poetic


texts by Allen Ginsberg, Aldo Gargani

maintain the
Anna Amador

in collaboration with Fulvio
Ianneo

The woman with the robe
Anna Amador

Thanks
Raffaella Grimaudo
Alessandra Pace
Piero Serra
Carolina Talon Sampieri

Fourteen is a woman in a room with a glass of water, a window, an aquarium. Fourteen
is his attempt at healing, harmony and balance. Fourteen
is a gratuitous act on the holiness and goodness of the world,
on the power of listening and solitude where you can talk to other
. Fourteen
is a prayer for the poetry and beauty. Fourteen is a
request for help with the words of Allen Ginsberg and Aldo Gargani.
Fourteen is an invitation to sit in the intimate space and get hold water.

Fourteen is a short-acting in a play by Anna Amador internal
inhabited by a woman in dressing gown
talking to itself as were all others who remain
out and leave us alone.

Fourteen is the tale of the fourteenth of thirteen brothers who saves all
thanks to its extraordinary strength and the whole earth,
the full acceptance of self and its vicissitudes.
Fourteen is my father when he was alive. Fourteen
I am when I get Mario.


June 17, 2009, at 21
Oratory Baraccano
way Baraccano 2
BOLOGNA

00:26 June 2009, at 21
Mazzacorati Villa Theatre, Via Toscana
17-19,
BOLOGNA

++++++++++++++++++++++++

K OMAKINO
LONG PLAYING
first study

idea of:
Andrea Alessandro La Bozzetta

Scripture scenic Komakino

By:
Andrea Alessandro La Bozzetta
Mauro Milone
Laura Pizzirani

Original Music and Sound: Dram
Myanmar, Fridge

Lights: Erika Murrell

A production Komakino

Co-produced by: Angelo Mai
Busy - Rome Festival
Per Aspera - Bologna

With the support of:
Yes - Teatrino Clandestino with the City of Bologna

OQ # OpenQuadra - Bologna Bo
Delta-Project - Bologna
Ass Ibis Cultural Fund - Neptune
Refractions Festival - Neptune
Busy Esc Atelier - Rome
Company Theatre of the Seraglio
Malatesta - Montefiore Conca



everything you could expect from him, except
put an end to his life.

anyone, it seemed, but he

is something that does not suit him. do not know it all?

his death is so at odds with his whole life, and so lacking of motivation in all his work


"is incomprehensible. What's missing? "

" to a dog, a dead dog "


17 and 18 June 2009, at 22.30
Area Yes, via San
Vitale 67, Bologna

++++++++++++++++++++++++

DASTRAMONIO
KID

Rita Deiola
Federica Falanca Alessandro Gulino

We started with a child in the video is the most intimate and fragile ego. Sinks in the experience of "dark" existential allowing the whole man to observe himself. The
child up from the bottom of this black as he makes his transformation into a woman. The woman, black squarcerà of what is unconscious, what does not understand. The hole is a crack through which she sees herself and dominated by a sense of guilt, comfort, understanding, advice from those who, institutionally represents the divine in the palaces of power and the established order. Confessions by the simple story of an episode, that he became aware of his unhappiness, his mediocrity. She tells how she saw in him the "banality of evil" that mostrifica the human essence. He confesses that his conscience and his heart is withered and impermeable to the profound suffering the soul's self and others, both small "like a body without skin," as an empty body of vital organs, including heart.
The confession is a call for help in a time of contemporary civil indifference and ignorance. In which the brutality, but politics is now a normal thing, and that - given the habit - he lost consciousness. The woman, after showing us the pain that deconstructs, comes to us "martyred" in contemporary terms.

June 18, 2009, at 21
Oratory Baraccano
way Baraccano 2
BOLOGNA

June 26, 2009, at 21
Mazzacorati Villa Theatre, Via Toscana
17-19,
BOLOGNA



++++++++++++++++++++++++

Fulvio Ianneo
Muñeca de la calle

Fulvio Ianneo under a crucifix
trying to make visual poetry
like a long journey

Installing video poetry



The rest I'm looking, the invisible

vanished before his arrival in the light
water from a sea of \u200b\u200bsoft eddies
dispenses infinite reflections of light on
underwater beds of sand dust clouds

the rest, loosely
intuition as a Santa Claus
escaped to visit a child at night, entered the ocean

restless hearts with his rhetoric of debris caked moldy
of mysteries,
The rest will not appear even if I
not appear if it is not in small fragments of poetry




18 to 19 June 2009, at 21
Oratory Baraccano
way Baraccano 2
BOLOGNA


++++++++++++++ ++++++++++

Angelo Bello
Μνημοσύνη
archive ...
to remember ... (history of a patient's view)

video: Angelo Bello


Myopic. Very short sighted.
To see, be able to see, I need glasses.
I need to see a foreign body.
Illness: place between the world and my eyes
something that improves the eyesight. Before
glasses, then a camera, a camera.
NOW I SEE!
store images that create my memory. Thanks
camera, take it and cherish. Then ...
memory.
Memory in images of a (nearly) blind.
No way! Now I see there in the archive I see.
No way! Only then will recognize what I saw.
No way! The pictures are now out
by time and place and space:
UNIVERSAL.
intersects the memory at your own convenience.
What they say these pictures? Nothing new for those who has never seen.
are generated from memory
... "[...] the generations in Pieria, united with his father Cronide,
Mnemosyne, lady of the hills of Eleutere,
because they were forgotten by the rest of the ills and troubles."
[Hesiod, "Theogony" 50]


June 18, 2009, at 21
Oratory Baraccano
Baraccano Street 2, BOLOGNA

++++++++++++++++++++++++

Cosmetics The
primadonna_chi sows the wind picks up storm

A production of cosmetics
Geatti Eva and Nicola Toffolini

In collaboration with Michele Bazzana

sound Stefano Pilia
created in collaboration with David Macor
Electronics in collaboration with Thomas Pecile

With consulennza technique:
Allestimenti_ Henry Lain
Illuminotecnica_ Cristian Zanor
Processing file taglio_ Stefano Paron



the primadonna_ Principle: The first lady
eye of the storm. Major disasters
female - female Great disasters
"I made you and I destroy you," he always said "Donna Giulia."
... How slowly grows a building.
... How fast is the disaster.
... What is the perception destruction as it happens.
I talk about power.
Remain stationary, static in the center of the storm ... ... suspended in the quiet to avoid being kidnapped, carried away, overwhelmed involved.
... And if the first lady was the focus?
building grows between the approval of the other a figure that puts the spotlight on the value of his body, of his image.
It expresses a continuing effort to remain faithful to his being visible.
A voltage in the affirmative.
In the stillness, in the power, you are! She
the core. Before
positive ... Then
in negative ...
expresses ambivalence continues.
Before growth, then destruction.
And always she is!
... Like a blast of air ... A ... A strong wind storm "bad" ... A whirlwind of sudden events that radically change ... the landscape and human behavior.

change change-destroy-destroy-destroy amendment amendment amendment-destroy-destroy-destroy modificadistruggi change change change-destroy-destroy-change change-destroy destroy ...

June 19, 2009, at 21
Oratory Baraccano
Baraccano Street 2, BOLOGNA

++++++++++++++++++++++++

Fabio Fiandrini
per Aspera ad Astra (kan)

videoillusioni themselves

video: Fabio Fiandrini

N. Tommaseo, B. Bellini, Italian Language Dictionary, Volume One, Typographical Union Editrice, Torino 1865, under "Art".



June 19, 2009, at 21
Oratory Baraccano
way Baraccano 2
BOLOGNA

++++++++++++++++++ ++++++

Gulino/Rico/Scorza
Alba

Voce : Rocío Rico Romero
Sound designer: Alessandro Gulino and Vincenzo Scorza

ALBA is a continuous and relentless emergence of vortex sound. From the first note and the first vibration takes a seductive voice sound continuous feedback. It is a work to be done in complete improvisation, live.
The vocal aspect highlighting the passion of flamenco compositions, sketches out the vocal textures and sound design with the various emotional states (sadness, passion, frenzy ...) and set to electronic music, strangely hot and malleable, they create ALBA .



June 19, 2009, at 21
Oratorio Baraccano,
way Baraccano 2
BOLOGNA

June 23, 2009, at 21
Mazzacorati Villa Theatre, Via Toscana
17-19,
BOLOGNA



++++++++++ ++++++++++++++

Butcher Pasolini
Love Car

By: Cristina Matta

Romano Tre Re

tremble ... And it should be, not until
it fails to heal, this left
capacity of [not] die ...
Victor Hugo, L'Année terrible

23-24-25-26 June 2009, at 21
Teatro di Villa Mazzacorati, Via Toscana
17-19,
BOLOGNA



++++++++++++++++++++++++

Cilema Reisen
8%

to: Cabiria Nicosia and Mauro Milone
concept: Cabiria Nicosia
on stage: Mauro Milone
music: Ffragraff, Antonio Vivaldi, Reisen Cilema

According to research conducted by the University of Groningen, the Netherlands, the presence of a woman, regardless of his physical appearance, does raise the level of testosterone man 8%, increasing to Consequently, his libido, automatic and unconscious reaction that develops to prepare men appropriateness of a possible pairing.
of this experiment is a dark and bare, elected to place the container in which the performer can be found to deal with the stagnation of his desire, trying to adapt to a reality that has lost its meaning and depth.
The dis / adapter is split between stasis and ecstasy, instinctual and goes unconsciously into a regressive direction, vainly seeking his wife from newspaper ads, television commercials, only to discover that it was still nothing but a form, one of many visible. The man becomes a dam that stores potential (erotic) without the real possibility of an outlet, and turn his instinct vigorous destructive force.


June 23, 2009, at 21
Mazzacorati Villa Theatre, Via Toscana
17-19,
BOLOGNA


+++++++++++++++++++ +++++

Andrea Pagnes / Verena Stenke
Lucid Dreams

By: Andrea Pagnes and Verena Stenke
Texts scene: Pagnes Andrea, Laura Bucciarelli
records: by Lucid Dreams narrated by Celia Green (Reserach Institute of Psychophysical Oxford).
Music: Verena Stenke
Video Materials: Verena Stenke, Alessandro Fantechi


Lucid Dreams is performing work on the concept of "dreaming and awakening" mind and body, where the process of acquiring consciousness leads to a partial transformation of being. Opposites attract
time to progression: mingle, become more, become a witness and experience.


June 24, 2009, at 21
Mazzacorati Villa Theatre, Via Toscana
17-19,
BOLOGNA


+++++++++++++++++++ +++++

Theatre lost
Rats!

"harbingers of a collection of separate
theater

Text and direction
Agatino Di Martino

Interpreters

Alassandro Franceshini
Albano Innocenti Andrea
Petritoli
Anna Felicori
Carmine Buonocore
Trerè Cristina Daniela Matta
Pomponi
Eugenio Militia
Federica Trerè
Luciana Patrizia Amati
Leonelli
Romano Trerè
Sica Lamas Berenice
Silvana Sabattini
Tania Michilli

The Topus Teatralis, especially now extinct, it prefers a cultural background with a strong propensity for the beauty, drama and performing arts.
now, in the last two decades, with new discoveries in the field of rodent control, are forced to live trying to get by ... But how can you almost always flush.
E 'extremely emotional, constantly looking for theater spaces in order to reproduce in peace .... A creature full of breath and heavy equipment that he uses often poor with an unexpected skill.
institutions responsible for supervision are familiar with their habits and prevent him from stopping in places for economic gap by eliminating any need for small and making the legal rules in fact play such a specious economic and anti exhausted from long before.
Sometimes in the heat of breathlessness, with a flash of genius, manages to reproduce and then shows off all her beauty, elegance, grandeur, effectiveness, and a beautiful voluptuous fur and a tail with its snow-white teeth; moves performing on stage his act is more complete.
Many have wondered why so much fury, conferences and scholars have addressed the issue. There were even expressions of solidarity and perhaps some parliamentary interpellation, but nothing to do: The Topus Teatralis is too independent in its activities, out of control, always in need of expression. Consume!
Above all, let loose, you play too fast and too effective. The
Topus Teatralis stands by his cousin, with whom he is often confused, or Topus Istituzionalis, extremely refined, shiny coat and significantly larger.

June 25, 2009, at 21
Mazzacorati Villa Theatre, Via Toscana
17-19,
BOLOGNA

++++++++++++++++++++++++

Wording For Thanks Yous Wedding Programs

COURSES 2010/2011

Break Through Bush In Pokemon

MY FIRST CLIMBING

MY FIRST CLIMBING

historic date June 6, 2009: At about 11.30 I completed my first climb by bike reaching the summit of Turin, the basilica of Superga (about 700 meters above sea level).

In the company of the legendary Roberto Bianchi Mangiantini that test new daughter, almost an hour and a half ever climb (I used an average value for the 2nd out of 24), tiring, not to limit but I still breath a little 'to relax the first part of the road overview of Pino Torinese, then back up towards the top (with a quick stop for a drink of water, where we also met a colleague, Giunipero). The final extraction, at first, to reach the goal.

The substance is 2 hours and 10 to ride for almost 29 km distance, average speed of about 14 km / h (first cycle, see post of 22 March, we went a little faster, but always going flat!), a peak of 51 km / h with an attached drop on a soft green to me (!) and a vertical drop of 504 meters in total.

line is affected: an estimated consumption of 1,200 calories and almost came home I weighed 3 kg less than usual. But I'm overwhelmed!

6th of June 2009, Another historical dates: at about 11:30 I completed my first bike climbing Reaching the summit of Turin, the Basilica of Superga (700 m asl).

In company of the legendary Roberto Mangiantini who tested the new daughter's Bianchi bike, almost an hour and a half continuously uphill (basically I used the 2nd gear on 24), fatigue, my breath quite at the limit, a little relaxation for the first stretch of the Panoramical road of Pino Torinese, then back up towards the top (with a brief stop for a drink of water, where we also met a colleague, Giunipero). Finally the last strap, with first gear, to reach the goal. 
The substance is: 2 hours and 10 riding equal to 29 km, average speed of about 14 km/h (on my first cycling, see post of March 22, we went only a little bit faster, but always going on flat roads!), a peak of 51 km/h with a fall on the soft green for me (!), and a vertical ascent of 504 meters in total. My
wheight is affected: Consumption of an estimated 1200 calories and at home I was Nearly 3 kg less than usual. But now I'm am destroyed!

Increased Mucus Before Period

37

I do not believe it myself ...

I can not believe it's true

Historical Statistics Of Christianity

perAspera

L 'INNOVATION

* LOCATIONS IN

* HISTORY OF

BOLOGNA
Second Edition

The project

The second edition of perAspera / Drama Possible, edited by the Cultural alber TS tanley, in collaboration with Teatro lost, sponsored by Municipality of Bologna - Department of Culture, Province of Bologna, Emilia-Romagna Region, District and District Savena St. Stephen, will be held in June 2009 in some "spectacular sites" located in the historic urban fabric of Bologna.
The exhibition brings together mostly new formations of artistic research in Emilia Romagna, with particular attention to all aspects of drama in every form of expression spectacular (theater, dance, performance, video art ...).

Many of the sites historically used to spectacular forms, both in Italy and abroad, have had their chance and destruction, or change their destination or, at best, their museum.
perAspera The project, as well as to denounce the difficulties of contemporary drama to be distributed and then transposed to a wider audience, while also indicates the large number of these surviving structures that remain largely untapped, or engaged in sporadic openings without an intervention specific rendering them accessible to the productions contemporary art.

The project intends to A hopes to reclaim the ancient space as an integral part of any staging of the study, because mandatory and essential structure. to which every artist will adapt its work.

The entire event program includes not only theater made, but will provide space for works in progress and performative events that interact with the sites selected for review.


Towards a European network of "contemporary theaters"

After the encouraging results of the first edition 2008, second edition, as well as increase the types of proposals the introduction of production more closely performative and video art, has also established new contacts with similar European institutions, under the "network" of Historic Theatres in Europe in many ancient structures, such as the theater of the Villa Mazzacurati, are part.

Many European organizations have already responded positively to an exchange of production and distribution of the event within its historical sites.
This gives us hope in a future extension of the project to a European dimension to allow the production and circulation of new forms of creativity and at the same time, the discovery and exploitation of space once used to house the art contemporary to them today and left for too long been abandoned and most misunderstood.


Venues and dates of the exhibition in Bologna

The 2009 edition will be held in the month of June 16 to 26.
addition to the Historic 1763 Theatre of Villa Mazzacurati (Via Toscana, 17-19) will review the availability of an additional space of the city over the previous edition: the ancient oratory of Baraccano (by way of Baraccano, 2), just restored and opened to the public.

Participating artists

edition of 2008 were:

alberTStanley, theater - Bologna
COSMETICS, performance - Bologna
DASTRAMONIO, theater - Bologna
HEIRS OF LUCREZIA, theater - Bologna
laminar theater - Bologna
MENOVENTI, theater - Forlì
STEFANO QUAESTORS , dance - Bologna
Anna Rispoli, video art - Bologna

SEMIVOLANTI, performance - Rome
TEATRIDISILENZIO, theater - Bologna
THEATRE disoriented, theater - Bologna
KAP-VI, dance - Bologna

In the new edition 2009 participating artists are:

ANNA AMADORI, poetry - Bologna
CILEMA REISEN, performance - Rome
CITY 'Ebla, video art - Forlì
COSMETICS, performance- Bologna
DASTRAMONIO, performance - Bologna
ANGEL OF BEAUTIFUL, video art - Torino
DRY_ART / MATARO by Verga, poetry / music - Bologna
Fabio Fiandrini, video art - Bologna
BROCHE BROTHERS, performance - Bologna
GULIN / ROMERO / BARK, music / performance - Bologna
FULVIO Jannaeus, video art - Bologna
Komakino, theater - Bologna
LEMEH42, video art - Senigallia
PASOLINI BUTCHER, video art / performance - Bologna / Roma

ANDREA Pagnes / VERENA Stenke, performance - Florence / Berlin
DISTRICTS Q, video art - Bologna
THEATRE disoriented, theater - Bologna

CALENDAR 2 0 0 9



SHOWS THE ORATORY OF CABIN:

way Baraccano 2, Bologna

Tuesday, June 16

BROCHE BROTHERS, performance
DISTRICTS Q,
LEMEH42 installation, video art
Dry_Art / MATARO by Verga, poetry and music

Wednesday, June 17

Fratelli Broche, performance
DISTRICTS Q, Installation
CITY 'Ebla, videoart
ANNA AMADORI poetry
* Komakino, theater

[* at the "Spazio", via San Vitale, 67 - Bologna]

Thursday June 18

DASTRAMONIO, performance
DISTRICTS Q, installation
ANGEL OF BEAUTIFUL, videoart
FULVIO Jannaeus installation
* Komakino, theater

[* at the "Spazio", via San Vitale, 67 - Bologna]


Friday, June 19

COSMETICS, performance
DISTRICTS Q,
Fabio Fiandrini installation, video art
FULVIO Jannaeus installation



SHOWS THE THEATRE OF VILLA Mazzacorati
Via Toscana, 17-19, Bologna


Tuesday, June 23

Dry_Art / Matara, poetry and music
PASOLINI BUTCHER, performance
CILEMA REISEN, performance
GULIN / RICO / BARK, music


Wednesday, June 24

ANNA AMADORI poetry
PASOLINI BUTCHER, performance
Pagnes / Stenke, performace


Thursday, June 25

THEATRE disoriented, theater
BUTCHER PASOLINI , performance
Dry_Art / MATARO by Verga, poetry and music


Friday, June 26

ANNA AMADORI poetry
PASOLINI BUTCHER,
DASTRAMONIO performance, performance


+ + + +++++++++++++++++++++++

for A hopes

Drama Possible

Oratory Baraccano ,

way Baraccano 2, Bologna

Historic Theatre Villa Mazzacorati ,

Via Toscana 17-19, Bologna

Bus lines: 13-55-96

Top performances: 21 hours

Admission € 7.50

Contact:
albertstanleyteatro@gmail.com
Ennio Ruffolo: 349.6600300

Seneca, Hercules furens, Act II, v. 437:

"per aspera, ad astra"

"you get to success through difficulties."

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Cheap Kid Dume Buggies For Sale

CHRYSLER SIMCA 1307

Even if it reaches the date of my birthday, in reality these days another anniversary: \u200b\u200b30 years ago my father bought the car that would been the flagship of the family for decades to follow, the Chrysler-Simca 1307 GLS.

I remember at the time seemed huge, long, spacious, a huge trunk.
Despite the almost maniacal care of my father, after a few months showed the first dent on the edge of the bumper, the result of a small blow in the park during the summer villa of Domitian Bay in the beautiful Parco dei Lecci.
Then a few years after a dent on the hood, and then scratches and other damages are almost impossible to avoid the traffic and parking lots in Naples. The event
most 'shocking' car was blocked in the summer of 1986, always in Domizia Bay, which forced us to return on a wagon from Mondragone up at home to Portsmouth caused by disruption of component, that the only mechanism available was not able to repair.
In fact, the reliability of that car, perhaps as a result of this electrical problem, was not so marked, often was not in motion or thought of being stuck in the street, so we did not travel for long trips (also for other reasons) .
was aesthetically ugly, and almost a shame to go around when we were young (those rare times when my father lent!), But it was the only family car and had to endure.
Then in 1997, almost falling apart, and after almost 20 years of not very honorable service, he passed the other world, thanks to Uncle Renato Quaranta who gave us a car putting a bit 'better, his red Ford Escort, the second series of ... 1979! The Simca
obviously remains in the memory of the years of my childhood. Now I work for Fiat and change the car once a year ... does not seem true!
And the best part is that after 30 years, the circle closes: the Fiat bought the Chrysler, so maybe in the near future on my new machine will have the pentagonal emblem on the front!

PS: the Ford Escort lasted just over a year ... we passed a small Citroen AX used, but for us it was almost a generational leap in technology!

few historical notes on the machine: The Chrysler-Simca
1307 was the car's upper-middle class produced by Simca in 1976 and immediately elected Car of the Year. It was the first car to bear the double mark on the hood Simca-Chrysle r, and the pentagonal emblem as a logo. Created to replace the obsolete
Simca 1301/1501 of 60 years, the new media has several new features. The line, many teams, left the classic three-volume configuration to take one to two volumes with the tailgate (the solution adopted several years earlier by Renault), with plastic bumpers. Even from the technical point of view the car was up to date: front-wheel drive, independent suspension with torsion bars (the rear triangular arm) and braking systems of mixed type (with front discs). Little new, however, for the engines, although brilliant and parks in consumption, these engines were characterized by strong noise emitted tappets.
Finishes (with very stiff and hard plastics) were not much, but the competitive price promoted the success of the model.
The range of onset included the 1307 GLS powered by 1294cc 68cv d1 and 4-speed gearbox, the 1307 S with power increased to 82cv, and 1308 GT-powered by 1442cc 85cv d1. In 1978 also appeared the 1308 S with the same engine as the GT and a lower level of finish. In 1979 was launched the SX 1309, driven by an engine capacity increased a 1592cc (88cv) e finiture più curate.
Nel 1978 Peugeot rilevò la Chrysler Europe, divenendo così proprietaria anche dei marchi Talbot e Simca. In realtà il nome Simca venne dismesso e tutti i modelli vennero marchiati Talbot.

While the date of my birthday is arriving, in these days I would remind of another anniversary: 30 years ago my father bought the car that would have been the flagship of the family for decades to follow, the Chrysler-Simca 1307 GLS.
I remember it seemed huge at the time, long, spacious, with a huge trunk.
Despite the almost maniacal care my father already had, a few months later the first hole on the edge of the bumper, the result of a small crash while parking the car in the villa’s garden during that summer in Baia Domizia, in the beautiful Parco dei Lecci.
Then a few years later another dent on the bonnet, and then scratches and other damages almost impossible to avoid in the traffic and car parks of Naples.
The most 'shocking' event was car blocking in the summer of 1986, always in Baia Domizia, which compelled us to return on a wagon from Mondragone up to the house in Portici, caused by disruption of an electronic engine component, that the only available mechanic was not able to repair.
In fact, the reliability of that car was not very high, perhaps as a result of that electrical problem, many times the engine wouldn’t turn on or you had to think you could remain stuck in the street, so we did not use to travel for long trips (also for other reasons).
It was aesthetically ugly, and almost a shame for us to go around when we were young (those rare times when my father lent it to us!), but it was the only family car and it had to endure.
Then in 1997, almost falling into pieces, and after almost 20 years of not very honored service, it went to 'the other world', thanks to uncle Renato Quaranta who gave us a 'better’ car: his red Ford Escort, second series, built in...1979!
The Simca obviously remains in the memory of the years of my childhood. Now I work for Fiat and change the car once a year ... I can’t believe it's true yet!
And the strange thing is that after 30 years, the circle closes itself: Fiat bought Chrysler Company, so maybe in the near future, on my new car I will have the pentagonal emblem on the front again!

PS: the Ford Escort lasted just over a year ... we passed to a small used Citroen AX, that for us it was almost a technological leap!

A few historical notes on the car:
The Simca 1307 was the name under which Chrysler Europe launched its new large family car in July 1975. A modern, front-wheel drive hatchback, it was one of the first such cars in that class, along with the Volkswagen Passat, and became the 1976 European Car of the Year. The model was sold under a variety of names, including Simca 1308 and 1309 models (with larger engines), Chrysler Alpine (name used for the UK and New Zealand markets), Chrysler 150 (English market), Talbot 1510 / Talbot Alpine / Talbot 150 (a facelifted version launched by PSA after its takeover of Chrysler Europe) and Talbot Solara (the saloon version).
More upmarket models were designated 1308 (1508 in some markets) and 1309. Styled by Roy Axe, the Simca 1307, along with the recently introduced Volkswagen Passat, was one of several full-size European family hatchback inspired by the Renault 16 that had defined the sector back in 1965. In the 1970s the most popular mid-size cars in Europe were still traditional sedans like Ford Taunus, Ford Cortina, Opel Ascona (Vauxhall Cavalier) and Peugeot 305. The car was originally manufactured in Poissy in France and in Ryton in the United Kingdom and assembled from CKD kits by Todd Motors (later Mitsubishi Motors NZ) in New Zealand between 1977 and about 1983. Between 1979 and 1985 the car was also built by Valmet Automotive in Uusikaupunki factory in Finland.
In 1980 the car, which was now sold under the Talbot-brand, received a facelift. The new model was known as the Talbot 1510 (the Talbot Alpine name was used in the UK). A saloon version, called the Talbot Solara, was released that year, and produced alongside the hatchback version.
French manufacturing of 1510, Alpine and Solara, along with the smaller Horizon, ended in 1985. Supply of these models was limited and in 1986 production ceased, with the Talbot marque being shelved soon afterwards on all passenger vehicles.
Due to corrosion problems similar to Those of the Horizon, very Few Have Alpines SURVIVED.